Above is the installation by Pietro Gagliano and Peter Wehrspann for Come Up To My Room 2009 at the Gladstone Hotel.
Collaborators Pietro Gagliano and Peter Wehrspann â€“ with featured contributions from Ryan Andal and James Milward â€“ revisit and reinvent the classic table-top video game. Combining cutting-edge technology, contemporary furniture design and dynamic graphics, they will create a piece of interactive furniture like no other.
Pietro Gaglianoâ€™s work is guided by his belief that design extends far beyond the reaches of expression, into the realm of communication, culture, problem-solving, and even infrastructure. The result is an approach that merges multiple disciplines and extends across platforms, with the aim to heighten user perceptions and experiences.
Peter Wehrspann believes good design enhances our daily lives physically and psychologically. His work is guided by the search for simple beauty and function. His eye for aesthetics and his abilities as an engineer allow him to marry disparate materials with ease and grace. With a simple and intelligent approach Peter is dedicated to consistently contribute good design to a select market.
The Chair Project
The University of Waterloo School of Architecture chair project presented 5 chairs from their Chair Project at Come Up To My Room 2009 at the Gladstone Hotel.
The project requires the design, construction and structural analysis of a folding or take-apart wood chair.Â Course assignments guide the project through the steps of research, conceptualization, design development, construction, review and presentation, comprehensive structural analysis of the chair in its different positions, and complete documentation of the process in a booklet.Â Students are encouraged to select a client who inspires them, and to approach the design with attention to the Vitruvian goals of firmness, commodity and delight â€“emphasis on delight!
Shamir Panshal & Ray WangÂ — Chair for Tagore
â€œMusic fills the infinite between two souls.â€
â€“ Rabindranath Tagore
The works of Rabindranath Tagore (1861-1941), the Bengali poet, novelist, and composer, have traveled far beyond the boundaries of the subcontinent and have become a spiritual guide to those who have experienced it. The Tagore Chair, dedicated to this mystic and visionary man, is a seat of sublime action, a platform of energy and music upon which knowledge and understanding rest, but only momentarily until they are uttered to the world.
Gabriel Guy – White relief Chair / Chair for Constant
Constantly involved in a search for new ways to engage ones surroundings as a space of play and human self actualization, Constant sought a dissolution of the implied boundaries between life and art. This chair project begins as a modern relief by the artist Ben Nicholson, and exists as aesthetic artifact.Â With the active participation of the viewer the artifact is disassembled and reorganized (according to its inherent compositional rules), thereby reinscribing it as an object of use (toilet).
Mark Zupan & Matthew R. Compeau — Chair for Theo Jansen
Kinetic sculptor Theo Jansen has devoted his lifeâ€™s work to the evolution of mechanical beasts that walk on the beach, powered by the wind.Â His designs are fuelled by genetic algorithms, allowing the design to evolve organically, based on fitness criteria. This chair explores a new generation of aesthetic objects, which have evolved through a direct response to the users engaging them.Â This evolutionary process embodies a new approach to design: one that pulls down the walls between art and engineering.
Jane Wong — This is a Chair / Chair for rei Kawakubo
Rei Kawakubo is best known for her eclectic compositions, most notably displayed through her brand, Comme des GarÃ§ons.Â She deconstructs, dematerializes, and abstracts her pieces, challenging the way we see and define clothing and how the body interacts with it.Â Similarly, in its most abstracted form, a chair is anything that supports the body. It reshapes your expectations of comfort and commits to a new vision. A table can be a chair, a stoop becomes a chair, a piece of cloth on the ground becomes
a chair; this is a chair.
Jamie Ferreira Chair for Kurosawa
Akira Kurosawa (1910-1998) was a masterful Japanese film director with an inspirational vision and creative fervour. The exploration of Japanese identity and culture in his films engage in the discovery of truth, its modern meaning and oneâ€™s transformation through his exploration of it. The Kurosawa chair is based on the principles of desire and search for perfection and improvement of oneâ€™s craft. The chairâ€™s length and curve bear a close resemblance to a samurai sword and its different positions act as an exploration of what a chair is, and can be.
Above is Kwangho Lee’s ballroom installation for Come Up To My Room 2009 at the Gladstone Hotel.Â Â Kwangho insists on making every object he creates by hand, linking him to the peasant life of his grand-parents and that life seems to have such an influence on his work.Â Â This is interesting and fresh in a world where it seems every designer wants a fast-track career and mass-produced products.
Beyond the pleasure of a precisely calculated form, Kwangho Lee searches for the aesthetics in the value of memories that connect the past and the present provided
by the human hand.
Kwangho Leeâ€™s work comes mostly from his childhood experiences. Through his work he searches for possible changes and new meanings in the most ordinary objects of our daily lives. Kwangho believes that many of the mundane objects have boundless capabilities of transforming into something else. Guided by his motto â€œORDINARY OBJECTS CAN BECOME SOMETHING ELSEâ€ Kwangho seeks to express the symphony of design and craft. His projects never undergo machinery process. Therefore only small quantities are â€˜craftedâ€™ out of his hands.
Kwangho’s work is presented byÂ Montreal designÂ gallery commissaires, in collaboration with Torontoâ€™s Ministry of the Interior.