Above is Eric Quebralâ€™s public space installation for Come Up To My Room 2009 at the Gladstone Hotel.
These pieces continue Ericâ€™s wood grain world of subjects and objects. An exploration into the detritus that is Hollywood gossip and scandal, this is the best of the worst. TMZ made him do it.
Eric Quebral graduated with Honours from University of Torontoâ€™s Visual Studies program. Ericâ€™s clients include Reebok, Adidas and New Balance, and he has been featured in several magazines and publications around the world, most recently, Intercityâ€™s Art and Sole.
Above is the installation by Evan Bare for Come Up To My Room 2009 at the Gladstone Hotel.
The bar is a modular concept, CNC cut from Canadian pine plywood, finished with a water-based white wash stain and clear coat. All components interconnect with each other and can create multiple configurations that are stitched together with Manila rope.
The DJ Booth is a dual functioning piece that converts from a turntabalists work surface to a chillounger. All parts areâ€¦you guessed it, CNC cut and fit together like a puzzle. Once glued and clamped together, the OSB truss-like inner construction forms a structural, graphically intense assembly. A turn table rests atop each platform with a milk crate in the middle to house records and support the mixer.
Inspirations for both objects reflect experiments in CNC machining processes combined with traditional wood joinery and design for disassembly methodologies. Domestic building materials are fused with techno, architectural and industrial design elements.The entire set arrived flat in the back of a small sports car and was assembled within a couple of hours.
Evan Bare draws from his background as an Industrial designer to harness new possibilities through responsible design, green materials and CNC machining capabilities. His studio, 608 Design, creates unique residential pieces using 3D modeling and sustainable construction methodologies. Clean contemporary tables and seating with integrated storage and replaceable components are the primary focus.
The Chair Project
The University of Waterloo School of Architecture chair project presented 5 chairs from their Chair Project at Come Up To My Room 2009 at the Gladstone Hotel.
The project requires the design, construction and structural analysis of a folding or take-apart wood chair.Â Course assignments guide the project through the steps of research, conceptualization, design development, construction, review and presentation, comprehensive structural analysis of the chair in its different positions, and complete documentation of the process in a booklet.Â Students are encouraged to select a client who inspires them, and to approach the design with attention to the Vitruvian goals of firmness, commodity and delight â€“emphasis on delight!
Shamir Panshal & Ray WangÂ — Chair for Tagore
â€œMusic fills the infinite between two souls.â€
â€“ Rabindranath Tagore
The works of Rabindranath Tagore (1861-1941), the Bengali poet, novelist, and composer, have traveled far beyond the boundaries of the subcontinent and have become a spiritual guide to those who have experienced it. The Tagore Chair, dedicated to this mystic and visionary man, is a seat of sublime action, a platform of energy and music upon which knowledge and understanding rest, but only momentarily until they are uttered to the world.
Gabriel Guy – White relief Chair / Chair for Constant
Constantly involved in a search for new ways to engage ones surroundings as a space of play and human self actualization, Constant sought a dissolution of the implied boundaries between life and art. This chair project begins as a modern relief by the artist Ben Nicholson, and exists as aesthetic artifact.Â With the active participation of the viewer the artifact is disassembled and reorganized (according to its inherent compositional rules), thereby reinscribing it as an object of use (toilet).
Mark Zupan & Matthew R. Compeau — Chair for Theo Jansen
Kinetic sculptor Theo Jansen has devoted his lifeâ€™s work to the evolution of mechanical beasts that walk on the beach, powered by the wind.Â His designs are fuelled by genetic algorithms, allowing the design to evolve organically, based on fitness criteria. This chair explores a new generation of aesthetic objects, which have evolved through a direct response to the users engaging them.Â This evolutionary process embodies a new approach to design: one that pulls down the walls between art and engineering.
Jane Wong — This is a Chair / Chair for rei Kawakubo
Rei Kawakubo is best known for her eclectic compositions, most notably displayed through her brand, Comme des GarÃ§ons.Â She deconstructs, dematerializes, and abstracts her pieces, challenging the way we see and define clothing and how the body interacts with it.Â Similarly, in its most abstracted form, a chair is anything that supports the body. It reshapes your expectations of comfort and commits to a new vision. A table can be a chair, a stoop becomes a chair, a piece of cloth on the ground becomes
a chair; this is a chair.
Jamie Ferreira Chair for Kurosawa
Akira Kurosawa (1910-1998) was a masterful Japanese film director with an inspirational vision and creative fervour. The exploration of Japanese identity and culture in his films engage in the discovery of truth, its modern meaning and oneâ€™s transformation through his exploration of it. The Kurosawa chair is based on the principles of desire and search for perfection and improvement of oneâ€™s craft. The chairâ€™s length and curve bear a close resemblance to a samurai sword and its different positions act as an exploration of what a chair is, and can be.
Above is Kwangho Lee’s ballroom installation for Come Up To My Room 2009 at the Gladstone Hotel.Â Â Kwangho insists on making every object he creates by hand, linking him to the peasant life of his grand-parents and that life seems to have such an influence on his work.Â Â This is interesting and fresh in a world where it seems every designer wants a fast-track career and mass-produced products.
Beyond the pleasure of a precisely calculated form, Kwangho Lee searches for the aesthetics in the value of memories that connect the past and the present provided
by the human hand.
Kwangho Leeâ€™s work comes mostly from his childhood experiences. Through his work he searches for possible changes and new meanings in the most ordinary objects of our daily lives. Kwangho believes that many of the mundane objects have boundless capabilities of transforming into something else. Guided by his motto â€œORDINARY OBJECTS CAN BECOME SOMETHING ELSEâ€ Kwangho seeks to express the symphony of design and craft. His projects never undergo machinery process. Therefore only small quantities are â€˜craftedâ€™ out of his hands.
Kwangho’s work is presented byÂ Montreal designÂ gallery commissaires, in collaboration with Torontoâ€™s Ministry of the Interior.
Above is Coe&Waito’s public space installation for Come Up To My Room 2009 at the Gladstone Hotel.
The chandelier entitled Nest by coe&waito is an ethereal and abstract expression of a birdâ€™s nest. It is omposed of delicate curved porcelain sticks cradling a soft light source.
coe&waito is a ceramic art and design studio in Toronto, Canada, which creates porcelain objects inspired by natural elements, distilled to simple elegant forms, with occasional touches of whimsy and wonder. Alissa Coe and Carly Waito began working with porcelain after graduating from the Industrial Design program at the Ontario College of Art and Design in 2005. They design and produce an evolving collection of porcelain objects including functional tabletop items, small sculptural pieces, lighting, and large-scale installations of HUB Design Studio with integrated storage and replaceable components are the primary focus.
Above are photos of Eric’s and Andrew’s installation for Come Up To My Room 2009 at the Gladstone Hotel.
Collaborating since early 2008, Andrew Ooi and Eric Mathew share a common interest in the elegant versatility of paper as a design material. Their work utilizes paper as a valuable commodity, in contrast to its popular public conception as a ubiquitous disposable resource. Drawing inspiration from traditional Japanese uses of paper in the production of items of everyday use, their work has evolved to include lighting, furniture, and ornament. In June of 2009, they will exhibit a site-specific installation
at Graphica Creativa â€™09, a printmaking triennial at the Jyvaskyla Art Museum, Finland.
Andrew Ooi is a self-taught artist who works with paper and light. Based in Toronto, Ooiâ€™s focus on reusable and renewable resource let to his use of recycled papers and energy efficient light sources. He makes hanging or free- standing origami shapes infused with light. Ooiâ€™s Origami Light-Works provide a calming glow through the rhythmic geometry of folded paper and the diffuse light the paper casts. His works were recently featured in Radiant Dark, at Design at Riverside, Cambridge Galleries, ON.
Eric Mathew is a print-based artist working in Toronto. Mathew completed an MFA at York University and has exhibited widely in Canada. Recent exhibitions include Showcase â€™07 at Cambridge Galleries, and 2-4â€™s and Time Travel at MADE, Toronto. Often working with a combination of silkscreen and painting his work deals with themes of consumerism, identity, and the Canadian mythological fabric. The graphic simplicity of his work has led to design commissions including most recently, street banners for the City of Torontoâ€™s Live with Culture campaign, and custom carpet designs for sourceUK.
The artists would like to thank the generous support and encouragement of Julie Nicholson and Shaun MooreÂ of MADE.
Studio Junction were accorded a 2009 Design Exchange Award in “Interior Design – Temporary or Portable” for their installation in Room 202, Come Up To My Room 2009 at The Gladstone Hotel.
â€œâ€¦ and the shadow belongs to the lightâ€
â€“ Louis Khan
Above are photos of Studio Junction’s installation for Come Up To My Room 2009 at the Gladstone Hotel.
This installation uses the craft of making to explore the poetics of light and space. The method of investigation is through different scales of built work: the smaller scale
of model making, the human body scale of built-ins and furniture, and the larger scale of â€œroomâ€.
Studio Junction Inc is an emerging Toronto practice that focuses on architecture and design. The Courtyard Hiuse reflects their interest in urbanism, the poetics of light and space, and the detailing and craft of woodworking. Studio Junction Inc is Peter Tan, b.arch, Christine Ho Ping Kong, b.arch, b.f.a. (founding partners), Joe (Che Yu) Lin, b.arch.
sci, and Roman Lysiak, b.arch.
Studio Junction would like to thank Scott Eunson and Catalyst Design Build Inc.